迈
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导演:
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弗兰克·凯佩罗
剧情:
A story of a police who infiltrates inside Yakuza which has business in US soil. But soon he discovers the beauty and respect of family he's offered place in.. Companela's guys, Italian mafiosos are seen arrogant and dumb, while Japanese criminals are somewhat peace loving; a bit too romantic setting. But still, not bad setting. Ryo Ishibashi acts well as Japanese Yakuza, and Viggo Mortensen is ever so cool.
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保罗·奥斯特
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what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.
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布瑞克·埃斯纳尔
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坐落于美国宾夕法尼亚州的奥格登·马什镇,景色美丽宜人,生活安逸自在。但是,一起突发事件打破了小镇的宁静。原本性格温和的中年男子罗瑞(Mike Hickman 饰)手提步枪闯入正在进行棒球比赛的赛场,治安官戴维(蒂莫西·奥利芬特 Timothy Olyphant 饰)果断出击,将其射杀。惨剧似乎一发不可收拾,在此之后,各种血腥残酷事件接二连三发生,原本爱好和平的小镇人民一个个狂性大发,仿佛天堂般的小镇变成了恐怖的人间地狱。 戴维和几个理智尚存的伙伴发现,镇民疯狂的原因与当地的饮用水有关。与此同时,为防止狂病蔓延,政府派出军队封锁小镇。戴维他们必须绞尽脑汁逃离这片死亡之地……
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小詹姆斯·惠特摩,迈克尔·普里斯,科里·艾伦,托尼·莫邓特
剧情:
影片围绕足智多谋的洛杉矶警探瑞克·亨特(弗里德·杜莱尔 Fred Dryer 饰)和他的默契女搭档迪迪麦考尔(斯蒂芬妮·克拉默 Stepfanie Kramer 饰)展开,讲述着洛杉矶警探们捍卫城市安全的故事。亨特处事作风看似离经叛道,却常常出奇制胜,与同样精明强干的美女警探麦考尔联手,破获了一宗又一宗令人棘手的大案。
两人凭借着超人的才干和天衣无缝的配合,无数次在错综复杂、扑朔迷离的案件中屡破奇案,化险为夷。不仅如此,置身险境的二人还要面对来自上司的无端训斥和同事们的排挤妒忌。出生入死的两人不仅成为不离不弃的生死搭档,更在破案过程中,不时擦出智慧幽默的火花。