Ev
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伊里·马德尔
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Czech actor-turned-director Jiří Mádl has wrapped shooting on his third fiction feature, Waves, which centres on the turbulent period of the Warsaw Pact invasion, a seminal moment in modern Czechoslovak history. The period drama is inspired by real-life correspondents from the Czechoslovak Radio International Bureau during the late 1960s. The film, set against the tumultuous backdrop of the Prague Spring and the 1968 invasion, tells the story of two brothers navigating the challenges of the period. The protagonists are Tomáš and his younger sibling, who find themselves in the midst of the 1968 May Day Parade outside the Czech Radio building, where the film crew has been shooting some scenes. The foreign radio department was known for independent news reporting despite the prevalent censorship. However, the blossoming of the communist regime will soon be abruptly halted by the Warsaw Pact tanks.
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斯蒂夫·巴伦
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Robert Thorogood adapts his own novels alongside Lucia Haynes (“Vera”) and Julia Gilbert (“Midsomer Murders”), each of whom will write a two-episode murder mystery. Thorogood’s episodes will be an adaptation of his second novel, “Death Comes to Marlow” while Haynes and Gilbert are set to pen brand new stories.
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拉蒙·曲尔歇尔,西尔万·曲尔歇尔
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一张新公寓的平面图,两天的搬家进出,莉莎即将告别与玛拉同住的日子,所有的亲密与角力、回忆与张望,都在这狭小的空间中幽微地拉扯著。各方好友、家人、工人、邻居或小狗逐一现身,通通汇集到搬家现场,但每一次的错身或交谈,都有着雨后的故事动画不寻常的气息及欲望在狭缝里流动。有些家俱将被带走,有些记忆会被留下,莉莎、玛拉与这群好友之间的互动和情谊,都随着不时响起的华尔滋舞曲,在一进一退之间,谱写出充满焦虑、嫉妒、暧昧、孤独交织的浪漫小节。
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Tushar Kanti Ray,Debatma Mandal
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在21世纪初孟加拉,一位受人尊敬的军官去世后,IPS Arjun Maitra与强大的黑帮分子和腐败的政治家对峙,他的使命是为一个被犯罪和混乱所笼罩的地区带来法律和秩序。
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露西·克尔
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Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when斗罗大陆之邪神传承 they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition. Director's Note: Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died. 源自:https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a
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Lina Mannheimer
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身為作家的妻子,凱特琳早年以『尚‧德‧貝格』為筆名,發表了法國最暢銷的虐戀小說『女人的盛典』,由於書中詳細描述了對於性的懲罰與羞辱等情節,在民風保守的當時被視為淫書而被查禁。探索SM情色藝術超過五十年以上,凱特琳現在是法國最知名的女性支配者,在公開身分之後,改以『珍娜‧德‧貝格』為筆名,她的作品廣受歡迎,也被翻拍成電影、登上大銀幕。凱特琳在她的城堡舉行的獨特SM儀式,有如劇場藝術般極富盛名,本片劇組獲邀觀賞由凱特琳主宰的私慾世界、一睹施虐與受虐者的儀式,探索支配與臣服、感官與身體上的痛楚,令人目眩神迷,激起人心最深層的慾望。本片屏除一般人對SM的成見,不單是情色的幻想,而是以支配者與臣服者為中心,跨越極限,分享對藝術、社會規範、自我認同以及愛的觀點。
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约翰尼·德普
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在波西米亚艺术家阿梅迪奥·莫迪利亚尼(朋友们称他为莫迪)生命中的七十二小时旋风,追随着1916年战火纷飞的巴黎街头发生的一系列混乱事件。莫迪在逃避警察的过程中,想要结束自己的职业生涯并离开这座城市,但这一愿望被其他艺术家莫里斯·乌特里洛、夏伊姆·苏丁以及莫迪的缪斯碧翠丝·黑斯廷斯所否决。莫迪向他的艺术经纪人兼朋友利奥波德·兹博罗夫斯基寻求建议——然而,在经历了一个充满幻觉的夜晚后,当面对有能力改变他生活的美国收藏家莫里斯·冈纳特时,莫迪内心的混乱达到了顶点。
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Evgeny Ruman
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An estranged father and son are brought together by a young crane named Karl as they trace a family of the birds on their migratory journey from Russia to Africa
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基里尔·谢列布连尼科夫
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影片由基里尔·谢列布连尼科夫(《彼得罗夫的流感》《盛夏》)执导,帕维乌·帕夫利科夫斯基(《修女艾达》《冷战》)编剧,根据法国作家埃马努埃莱·卡雷尔撰写,描绘俄罗斯激进诗人、持不同政见者爱德华·利莫诺夫的传记小说改编。小说有着这样一段描述,“激进苏联诗人的骇人冒险:一个纽约的流浪汉、一个引起法兰西轰动的人、一个俄罗斯的政治人物”。 利莫诺夫个人生活极富传奇色彩,在曼哈顿他是富豪的管家,在巴黎他是作家,在俄罗斯他则是布尔什维克党的政党领袖。影片对白语言会根据拍摄地俄罗斯、纽约、巴黎的变换而对应转变。
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托马索·桑坦博吉奥
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一对即将分离的情侣彼此取暖;一位老妇人沉浸在过往爱情岁月;一对玩伴畅想移民美国,成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯,时间似乎停滞不前,三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去(老妇人)、现在(恋人)、将来(玩伴)的真诚思考,同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系,并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。
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托马索·桑坦博吉奥
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一对即将分离的情侣彼此取暖;一位老妇人沉浸在过往爱情岁月;一对玩伴畅想移民美国,成为职业棒球球员。在古巴内陆城市圣安东尼奥德洛斯巴尼奥斯,时间似乎停滞不前,三组人物构成的情感世界在这里流动、展开。意大利导演托马索·桑坦博吉奥在这部影片中倾诉自己对古巴社会中的爱情和离别的思考。影片中三组人物不仅是导演对过去(老妇人)、现在(恋人)、将来(玩伴)的真诚思考,同时也是他对古巴社会图景的再现。导演用海浪的声音凸显陆地与海洋的关系,并使用黑白影像来颠覆人们对五彩斑斓的古巴的认知。影片入围第80届威尼斯电影节“威尼斯日”平行单元。
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阿特夫·厄马斯
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Plot Summary from IMDB-com: Aaah Belinda is one of the many movies produced in the fruitful years of 1980's, with a low budget, not totally & precisely worked on, but still a remarkable one distinguished from the others in the era. The scenario ( and the story ) depends on an original idea, what if our lives change in a second to a totally different one in which we find everything we hate to do. That's not only a bad dream, it is truly a different life and it seems you get used to it. Müjde Ar plays one of her finest characters with some vague silliness. Atif Yilmaz is a master in Turkish cinema, but always struggled with the enormous low budgets and pretty short time the productions are realized. He tried to overcome this situation casting the best actors & actresses and always keeping in mind the scenario is the main element of a movie, that's what keeps the spectators in their seats.